Folder: Dialogue on Ingrid Bétancourt
2009-10-01 12:26:41

Inspiring in her humanity. Ingrid Bétancourt. Not so much because of what she says but because of what she refuses to say. Notably, what she refuses to say about the inhumanity of her jailers—an inhumanity she does not deny but refuses to name. Why, even as we watch and are staggered by the humiliating images of her detention, does Ingrid Bétancourt avert her eyes, forbidding herself to look at them?

We might seek here for a psychological or therapeutic explanation. And yet, the quiet strength that emanates from Ingrid Bétancourt and, especially, the absence of all bitterness, in fact opens the door to an explanation of a completely different order. Here is what is remarkable and unusual. Has she, through her long captivity, come to understand something that escapes us?

Torture, in all its physical or psychological shapes, aims to destroy all forms of belonging. Each object, each place, each relationship, even nature itself—everything that might appear familiar or reassuring—becomes a threat to one’s physical or spiritual integrity. Systematically, the jailer reverses the process of civilization and proceeds to break down the prisoner and his or her world. Such was Ingrid Bétancourt’s experience, no doubt, but it is an experience she keeps to herself.

Returning to the studio. The photograph that Ingrid Bétancourt refuses to look at was taken, she tells us, at the worst moment of her captivity. We, who are spectators at the tragedy, have long since lost our sensitivity to the power of an image. In this photograph, the jailor has almost attained his goal. Ingrid Bétancourt’s universe extends no more than two square metres, scarcely beyond the limits of her own body. The picture is one of total vulnerability, physical and psychological. In her book, The Body in Pain, Elaine Scarry calls the state that results from terror, violence, and isolation the “un-making of the world.” We might also call it “total dehumanization” or “destructuration of belonging schemes”.

On this web site, you will find a lovely metaphorical meditation on the Sea and Life. When life is attacked in a culture, an institution or, as here, in a single individual, life withdraws implacably from every place it would express itself—from relationships, institutions, houses, cities, works of art: nothing escapes this withdrawal. The restoration of life can only operate in the same way: life returns simultaneously in and to all its manifestations.

Is this the lesson of her six-year captivity? Has Ingrid Bétancourt acquired a wisdom that escapes us? An understanding that life can only be born from life? That life is indivisible, and that its strength resides precisely in the coherent unity that inspires what we do and even what we look at—and what we don't. Does its calm strength not resemble the tide that rises?

1. Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World, (New York: Oxford University Press, 1985).

 

 


 

Hollee Card is the National Coordinator forL’Arche Canada, the umbrella organization that unites and serves the 29 L’Arche communities across Canada. She is also member of the International Council and Board of L’Arche.  [Read more ...]

Jacques Dufresne is the editor of  L'Encyclopédie de L'Agora. He founded the journal Critère, was columnist at  La Presse durging eight years and Le Devoir  during seven year. He organised  many colloquiums and public debates of some importance. [Read more ...]

 

Al Etmanski Al is an author, advocate and social entrepreneur specializing in innovative solutions to social challenges. He is President and co-founder of  (PLAN),  Planned Lifetime Advocacy Network (PLAN). [Read more...]

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